Sketch of Lake Como – Talbot – 1833
Drawing created using a Camera Lucida

Illustration showing the use of the Camera Lucida

Lacock Abbey, Fox Talbot Museum
Country house created out of a medieval abbey,
the home of William Henry Fox Talbot

W. Fox Talbot The Open Door
Salt print from a calotype negative, April 1844. 18.8 x 23.1 cm.

The Open Door reveals a telling interest in the artistic treatment of the mundane.” The image’s “picturesque dimension suggests the inventor’s familiarity with examples of Dutch genre painting of the 17th century”
Rosenblum, Naomi – World History of Photography, 1997 ( page 31)

It is interesting to note that, as Rosenblum herself explains, “soft definition”, that is the “blurry” or “fuzzy” characteristics of the calotype image, contrasted the calotype print to the finesse of detail and sharpness of the daguerreotype. Talbot in fact referred to the effects of his early “photogenic drawings” as “Rembrandtish(Rosenblum, page 29)

Although the negative-positive method of Talbot would point the way to future developments of photography, the quality of the early calotype images made it difficult to supplant public attachment to the daguerreotype both in Europe and in America.

William Henry Fox Talbot

January 12, 2008

Portrait of William Henry Fox Talbot, Ivan Szabo
salt print from a glass negative, mid 1850s. 13.3 x 10.7 cm.

William Henry Fox Talbot (February 11, 1800 – September 17, 1877) was the inventor of the negative/positive photographic process, the precursor to most photographic processes of the 19th and 20th centuries”.
William Fox Talbot -Wikipedia article